Showing posts with label zyanose. Show all posts
Showing posts with label zyanose. Show all posts

Friday, 3 January 2014

Zyanose - Why There Grieve?

I am way into into when bands insist on coining their own subgenres to describe their music, that act of marking out your sound as something different something not quite containable is an act of meaningless artistic bravado that always makes me smile, the Taxpayers with goofpunk for example, on Why There Grieve? Zyanose have dubbed their twin-bass fury DITCH CRUST NOISE CORE, at once a descriptor for their sound and a herald of their attack. Zyanose make punishing stuff, deep, burbling, biting noise that crashes with the force of buildings falling.

While their last 12" Insane Noise Raid focused on sin, Why There Grieve? moves slightly outside these classical interior failings to deal with more modern pressures. Keep Yourself is a punx on punx song, namechecking Gloom, Confuse, the forerunners of Zyanose's ugly sound. "I beleave in punk" it screams. Maybe the one thing that Zyanose do believe in, the rest of the album torn through with looming nuclear spectres and smaller quieter forms of oblivion, drudgery of work, the venal machinations of politicians, apathy creeping like frostbite, irritation, anger, all drawn in chaotic blasts, as the noise swirls in panic on Silent or F.O.A.D., rumbles then bursts on Snapped Pappet, clangors in incomprehensible conflict on the Die is Cast (while the liner notes give lyrics in both Japanese and English, the long string of kanji that is The Die Is Cast is translated into English as Aaaaaarrrrgggghhhrrrr!!!!).



Nihilistic squealings. Pulse is a 13 second wordless, well, pulse, that ends off the first side of the record. The sound of a countdown, or a time marker, an underwater bloop, like a baby version of the rest of the records explosions, a short snap of the worldbeat that Zyanose feel down in the corroded bones of the world, that they explicate on in the militaristically underpinned Camouflage or the anguished vocalisations of Options for the Fool.

Before the album runs out to a stop with the drums on Keep Yourself, Zyanose construct an awful world of awful noise, few releases from its pain, just the slightly longer bite and rumble of that final track and its strength in punk, strength in the noise that's ripped out of the earth in order to mirror the noise that's pressed down on you. F.O.A.D. Fuck off and die. Fuck off and dance.






Monday, 3 December 2012

Zyanose - Insane Noise Raid



14 minutes of meticulous clattering noise. Not quite as harsh as D-Clone, but harsher than almost everything else. Drawing from Confuse's heaviest moments, or a less rigidly structured Contrast Attitude, three-piece Zyanose (drums, bass and noise-bass) construct a clanky crunching rumble of crasher-crust noise-punk vice blast. Framed mainly around songs devoted to the seven deadly sins, this album apparently took three years to record and was rerecorded several times. Albums like this, music devoted in its aesthetic to ripping apart all conventional musical pursuits in its tumble and grunt, so often gets dismissed on the basis that anyone can make a fucking racket, and it's true, anyone can, and that's part of the glory of punk and noise and all those simple genres beholden more to attitude than to virtuosity, but information like that, about the construction of the music, shows the artistry behind a piece of raging crust dissonance. They wanted it like this. EXACTLY like this. From the thick bassline that dominates Gluttony, holding fast against the noise and screams, to the way Envy swirls with ghost-feedback before thrashing into a blast of demented anger and then fading back down into that murk, to the end of the album when all this cacophony runs itself down into a soft simple buzz-bass-riff that drifts awaylike a beast into the night with the noise still chirruping about it, this album could not be done any other way. The red and white messy chaotic liner notes, bustling with about five differnt logos and a load of skulls, give the lyrics, seven of the nine tracks focusing on a particular sin, laying it down to its bare bones in each crashing blast. Greed: Debriseaaghrr!!!!/End of polution by side of you/Parasite! Wrath: Government control/Keep myself/Answer in chaos. Those are those songs in their entirety, and that's all you need to rip the human mess to shreds, with the noise of the noise-bass, the blaring of the... INSANE! INSANE NOISE RAID!